3D work, research related to my major project

 Tim Noble and Sue Webster. I chose those artists because their work is closely related to my main project and they are: "mixing the strategies of modern sculpture and the attitude of punk to make art from anti-art. Their work derives much of its power from its fusion of opposites, form and anti-form, high culture and anti-culture, male and female, craft and rubbish, sex and violence. "(Tim Noble and Sue Webster,2011) 

Both of them finished Nottingham Trent University with  Honorary Degree, Doctor of Art in 2006. Sue Webster started her art education in 1985 by Foundation Course in Leicester Polytechnic, where she was born then she studied Fine Art in Nottingham Polytechnic with Tim Noble. 

The artists using ordinary things and rubbish to create their work, then they point light to projected shadows which show as something totally different such a portraits, animals or whole human statues. The collaboration of those two artists creates amazing, extraordinary and unique art. Their studio is based in London where there successfully working together since many years. Sue Webster in one on the interview been asked about the secret of that long and successful relationship said:

" Tim is a floater, his heads is in the clouds, I'm Earth person and my feet are firmly on the ground. So I'm very practical person and he is not practical at all. I'm sort of order and he is chaos" 

Opposite attracts, however they both love art , have similar sense of humour and creates in the same area, understands each other. The "Wild mood swings" shows the shadows of Sue and Tim sitting on the chairs, facing back to each other, which is very interesting because their figures are created from two step ladders and discarded wood.

"wild mood swings"  2009-10

How their work is related to my project? Despite the fact that both of them showing punk attitude by their art and how they live, they also sending massage trough art. It is often a manifest against something. I love the story behind "The Bad Little Christmas Tree" How Tim Noble said in the interview he didn't want to threw the " sad little three" after Christmas and he keep it. That what happened with it after was kind of self destruction and also shows its real naughty fascist face.

The little naughty Christmas Tree, 2009

The "Punk's Not Dead" project is a big part of me and the life which I left behind in Poland, not only because I moved to England but also because I needed to grew up, find the job and be more mature and responsible with decisions as a mother. I would love to live Noble and Webster's life and be able to pay bills from my art. I think they are lucky and brave at the same time. There is part of punk in me, I still love that music and we are still going to the gigs (next is Rammstein in June) , however anarchism, "no future" slogans and my world perceptions have changed. This project let me became a punk again and to create better work I thought as a punk and I listen plenty of punk music, which was very inspirational and emotional time.




Louisiana Channel (2013) Tim Noble and Sue Webster Interview: In search of imperfection" Available from: https://www.youtube.com/watch?v=u7DGkkxBS5w [Accesssed on 25.05.22]

Crazy Girl (2011) Tim Noble and Sue Webster, Available fromhttp://www.timnobleandsuewebster.com/biography.html, Accessed on 24.05.22

Comments

  1. Quite a lot of biography here, would have liked to have learnt a bit more about how their work links to yours - they use a 'punk' ethic in their work, behaviour and way they dress. Whilst they were together, their work and lives were intertwined. People often say that being part of a subculture is 'a way of life', the same goes for Punk and for those within the tattooing community. I think you need to make better, more intelligent links to what you are doing and what you are representing.

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